Can a Stretched Canvas Be Included in an Ap Studio Art Quality Section
Editor's Note: This painting advice comes to y'all from Nancy Reyner's book Acrylic Revolution.
You Can Paint on Annihilation: Painting Substrates for Acrylic
Acrylic can exist painted on only most any support. Select amongst the many choices in this section for convenience, longevity and aesthetics.
1. Canvas
Canvas is commonly used every bit a painting surface and offers many advantages: it'south absorbent, has a wonderful fabric texture, is lightweight and portable. Canvas supports comes in three types: unstretched, stretched and commercially made sheet boards. Canvas newspaper also comes in pads, but sheet paper feels very slick, not at all like real canvass fabric.Stretching it yourself takes practice. You'll need wood stretcher bars, a staple gun and stretcher pliers. Wrap the canvas effectually the bars and tack it downward in the back, pulling information technology tightly each time. Showtime from the middle and work outward. Stretched canvases can be purchased in standard sizes, or custom-made past your art shop or framer. Those that are mass-produced with a machine can sometimes toll about the aforementioned or less than supplies for stretching information technology yourself.
ii. Paper and Paper-thin
Newspaper and cardboard are not bad back up choices if you are a beginner or just desire to experiment. Both are economical and easy to find. Both accept absorbent surfaces that brand washes and over-watered acrylic techniques possible. Select acrid-free papers or paper-thin, which are more archival and will non have impurities that might stain through into your painting.
iii. Forest and Composite Panels
Woods is a slap-up support for paintings, particularly for thick applications of paint and other techniques that require a rigid, sturdy support. There are many types of natural wood available, also every bit composites such as Masonite, high-density cobweb board (HDFB) and medium-density cobweb board (DFB). Birch makes great thin, lightweight panel for large paintings.Forest has many impurities, resins and other natural elements that may seep through into pigment layers, causing stains and yellowing. Always clean the surface first, coast it with a stain sealer, then prime number before painting. Composites are strong and have the feel of woods but don't have a natural woods grain. Some other type of blended product is particleboard, which is made of pressured sawdust. Moisture will crusade the surface of particleboard to swell, so sand information technology after the get-go few coats of sealer and primer to shine out the rough surface, and information technology should remain polish for subsequent coats and painting.
four. Patterned Fabric
I beloved browsing in fabric stores to get ideas for colors, patterns and textures. Sometimes I purchase small pieces of fabric just to hang effectually my studio for inspiration. A fun technique is to have your favorite fabric and use that equally the starting surface to brainstorm a painting. No need to stare at that white sheet with fear. Get a leap-commencement by beginning your painting with colors and patterns already in that location!
5. Silk
If you desire to pigment on silk and hope to keep the fabric soft and freely flowing to use as a banner, fabric installation or vesture art, fluid acrylics offering a more stable culling than fabric dyes. Dye works well on silk, but is not as lightfast and stable as acrylic. This technique demonstrates how to use acrylic on silk for durable, lightfast, washable color while maintaining the softness of the fabric. This technique may be used on fabrics other than silk.
6. Metallic
The ii problems of business organization for preparing a metal back up are adhesion and rust command. This technique works best for ferrous metals like steel and will provide a long-lasting rustproof support for indoor or outdoor use, suitable for coating with acrylic pigment. There are many types of metal to choose from. Research safety issues, availability and necessary additional grooming. This demonstration uses xi-guess, one⁄8-inch (3mm) Mild Steel. Whatever metal you cull, have it professionally cut to your specifications.
7. Drinking glass
Ane reason to pigment on glass is to have reward of its clarity. The chief concern with painting on drinking glass is adhesion. Etching or sandblasting the surface will add tooth. Both methods volition make the glass slightly cloudy, so etch just in the areas where paint will exist practical.Purchase glass at whatsoever glass supply store and take it cut to size. Float glass and window drinking glass are smooth, articulate, inexpensive choices that volition work well. Glass also comes colored or textured. If you are sandblasting, use drinking glass that is at least ane⁄4-inch (6mm) thick. If your glass slice volition be freestanding, comprehend the sharp glass edges with framing.
eight. Objects
Painting on 3-D sculptures or objects encourages you to remember differently because the object needsto be considered from all angles. You tin make your own ceramic sculpture, have a metal store cut shapes according to your template, or just use an interesting shell, branch or rock. You can also purchase ready-made objects in lawn and garden shops or hobby and arts and crafts stores. If the ready-made object is already painted, lightly sand it, prime with acrylic
Source: https://www.artistsnetwork.com/art-mediums/8-painting-substrates-acrylic-painting-tips/
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